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News and
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Sandy
Brown's Journal
click here to download 'Enter The
Dance' (pdf
185kb)
Sandy
Brown's major installation ritual: The Still Point and The Dance will be
exhibited at:
July 1 to
August 16 jointly at Crafts Study Centre and James Hockey Gallery,
University College for the Creative Arts, Falkner Road, Farnham, Surrey.
01252 891450
Artists' talk in the gallery on July 3
Next Course Dates:
September 8th to 13th
(Studio days from 10am - 5pm approx)
More
info
SANDY
BROWN AWARD
Ritual: The Still Point and the Dance
Leading ceramic artist and potter Sandy Brown, whose work is exhibited in
museums and galleries internationally has been given a major award of
£26,000 from Arts Council England South West. This is the largest amount
that has ever been given by them to an individual craftsperson.
This is to enable her to spend a year producing a large body of new work,
an Installation entitled
The Still Point and The Dance.
The Installation in two parts: the first is Ritual: The Still Point. This
is a contemporary tea ceremony based on the Japanese tea ceremony, and is
a form of meditation.. Sandy Brown will create a tea ceremony room, design
and make all the utensils and perform the ritual as a meditation. Guests
will be able to book to participate.
From the meditation and calm of The Still Point there comes energy and
this energy will be expressed in the second part of the installation: The
Dance. The Dance is an Installation of large-scale ceramic sculptures
expressing the exuberance and energy which comes from The Still Point. The
forms will be tall, abstract and colourful, with sculptures representing
the female, male, fertility, fecundity and of course The Dance.
This is a most ambitious undertaking, creatively and technically, and it
promises to be one of the most impressive exhibitions of ceramic sculpture
this country has seen.
The Installation will now be open next year from June 1 to July 24 2006 as
part of the ninth Appledore Visual Arts Festival and will then tour to
other venues in the UK and abroad, including Galerie Marianne Heller in
Heidelberg, Germany.
Sandy Brown became a potter when living in Japan for five years. Since
returning to England over 30 years ago she has been influential in
livening up the ceramics world with her bold dynamic forms, introducing
strong colour, a robust handling of clay, and a sensuous lusty delight in
the material. She has been cited as a major influence on European ceramics
and has work in major public collections such as V&A, Crafts Council, and
many others here and in Europe, USA and Australia. The monograph on her
work published by Marston House appeared last year.
‘Since moving into my new large studio four years ago my work has expanded
literally and creatively. I have become more ambitious both in scale and
in content, and I have built a much bigger kiln capable of firing large
pieces. This grant is enabling me to develop work which has been gestating
for a few years; a statement about life, energy and about being female in
the 21st century. Currently there is no-one I know of working on making an
exhibition of large-scale ceramics, partly because of the large kiln
needed, and because technically and creatively it is challenging. Also,
the opportunity to show how passionate I am about the ritual usage of
ceramics is highly important; we need rituals in our culture, and this is
a way of bringing art into our daily lives.’
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